Japo\u0144ski wymiar sprawiedliwo\u015bci opiera si\u0119 na XIX-wiecznych regu\u0142ach funkcjonowania rodziny, kt\u00f3re nie uznaj\u0105 podzia\u0142u w\u0142adzy rodzicielskiej i nie uwa\u017caj\u0105 uprowadzenia dziecka przez jedno z rodzic\u00f3w za przest\u0119pstwo. W rezultacie rocznie ponad 150 tysi\u0119cy dzieci traci kontakt z mam\u0105 lub tat\u0105.
\r\nJaponia to jedyny kraj grupy G7, w kt\u00f3rym po rozwodzie prawo do opieki nad dzieckiem przys\u0142uguje wy\u0142\u0105cznie jednemu rodzicowi, drugi za\u015b zostaje pozbawiony praw rodzicielskich. Nie ma prawa wiedzie\u0107, gdzie dziecko mieszka, gdzie si\u0119 uczy, jak si\u0119 czuje. Nie ma prawa do spotka\u0144.<\/p>\n
One day, you are a parent; the next, you are not. The police and the court say: *\"Go home, forget that you were ever a parent! Imagine that your child is dead,\"* recalls one of the people featured in the series.<\/p>\n
But parents cannot forget. Tomas Savicas last saw his daughter, Gabriele, over eight years ago. He still catches himself looking into strollers on the street, searching for his nine-month-old daughter\u2014the age Gabriele was when his ex-wife took her from their home.<\/p>\n
*\"Under the current Japanese law, the parent who manages to take the children first will be granted custody,\"* explains Richard Delrieu, a professor at Kyoto Sangyo University and chairman of the SOS Parents Japan association, who himself lost custody of his son. *\"The court tolerates child abduction,\"* Delrieu adds in a documentary on Japan's family law. \n\nAfter six months of the child living in the new residence, the abducting parent gains a legal advantage over the other spouse. Custody is then granted to them.<\/p>\n
It is often the case that a parent who has lost custody must\u2014despite having no contact with their child\u2014pay child support until the child turns 21. Between 10% and 30% of the child support payments go each month to the lawyers who helped secure the court ruling.<\/p>\n
<\/p>\n
Anna Bedy\u0144ska<\/strong> Laureatka nagrody World Press Photo oraz Nagrody MKiDN (2013). Uko\u0144czy\u0142a PWSFTviT w \u0141odzi oraz Szko\u0142\u0119 Filmu i Teatru Dokumentalnego w Moskwie. Jej rosyjska seria \u201eNiewinnie skazani\u201d zdoby\u0142a tytu\u0142 Zdj\u0119cia Roku w Grand Press Photo 2017. Cz\u0142onkini Canon Ambassador Program (2013\u20132018), Women Photographers i Polish Women Photographers. Mieszka\u0142a i pracowa\u0142a w Warszawie, Moskwie, Tokio, Hongkongu i Bukareszcie. Makieta ksi\u0105\u017cki \u201eForever mine\u201d (2021\u20132023) znalaz\u0142o si\u0119 w\u015br\u00f3d finalist\u00f3w Hong Kong Dummy Award 2023 i w ramach tej nagrody ksi\u0105\u017cka podr\u00f3\u017cuje obecnie po festiwalach ksi\u0105\u017cek fotograficznych na ca\u0142ym \u015bwiecie.<\/em><\/p>","protected":false},"excerpt":{"rendered":" Koncepcja ksi\u0105\u017cki i opracowanie merytoryczne:<\/strong> Anna Bedy\u0144ska Opieka kuratorska i redakcyjna:<\/strong> Adrian Wykrota miejsce i rok wydania:<\/strong> Pozna\u0144 2024 POZNAN\u0301 2024<\/p>\n Publikacja zosta\u0142a wydana w ramach projektu \u201ePIX.LAB – edukacyjne laboratorium fotografii | Ksi\u0105\u017cka powsta\u0142a dzi\u0119ki wsparciu Izy i Mariusza Stolarskich.<\/p>\n Praca nad koncepcj\u0105 i edycj\u0105 rozwijane by\u0142o w ramach warsztat\u00f3w Photobook as Object 2022 z
\nHer focus is always on people. She directs her camera toward those who live in the shadows of the wider world, often on the margins of social and economic life. She strives to capture the social changes shaping contemporary society, such as the evolving role of fathers or the situation of women in social, cultural, and political contexts.\n\nHer projects Dad in Action, Clothes for Death, and Kids Go Home have been used as social campaigns advocating for the humanization of death and birth, while the Spot the Dot photo series was created to support skin cancer prevention efforts.\n\nAnna Bedy\u0144ska specializes in reportage, often addressing taboo topics. In her project Forever Mine, she combines photography and sound to tell the story of parental abductions in Japan.<\/p>\n
\nwww.annabedynska.pl<\/p>\n
\r\nFotografie i tekst:<\/strong> Anna Bedy\u0144ska
\r\nT\u0142umaczenie na japo\u0144ski: <\/strong>Juri Vandenberg
\r\nProjekt graficzny:<\/strong> Anna Bedy\u0144ska, Andrzej Dobosz \/ dobosz.studio
\r\nSk\u0142ad i przygotowanie fotografii:<\/strong> Dariusz Nowak<\/p>\n
\r\nWydawnictwo:<\/strong> Fundacja Pix.house \/ www.pix.house<\/p>\n
\nformat:<\/strong> 15\u00d721 cm
\nilo\u015b\u0107 stron:<\/strong> 300
\nnak\u0142ad<\/strong> podstawowy + autorski + edycja specjalna: 80 + 320
\nj\u0119zyk:<\/strong> japo\u0144ski\/angielski
\nok\u0142adka:<\/strong> mi\u0119kka
\nISBN:<\/strong> 978-83-968764-5-4<\/p>\n
\nwieloletni program dzia\u0142a\u0144 kulturalnych i edukacyjnych\u201d
\nKoordynatorka projektu: Anna Molter
\nWsp\u00f3\u0142finansowanie: Miasto Pozna\u0144<\/p>\n
\r\nYumi Goto i Jan Rosseel we wsp\u00f3\u0142pracy z Reminders Photography Stronghold.<\/p>\n